Tools and technology are often described as obstacles. But sometimes focusing on a tool can refine musical process and composition – as main(void) reveals.
And yes, the goal here is, as always, to cure writers’ block and finish something that you feel really happy with. Let’s first hear the finished item, as it’s got the kind of deliciously calculated, precise electronics that first drew me to Europe. It feels chilly, but still sensual – foreplay for cyborgs, you know, putting the tech in techno:
Working musicians all have to balance different gigs. An emerging role for us is working out how to take day jobs in designing tools and sound design, and use that experience to help us make our creative musical experience better.
In the case of main(void), aka Jan Ola Korte, it meant parlaying his work in 2018 designing sounds for Native Instruments’ TRK-01 into honing his music making process. He writes:
When I was working on the sound design for Native Instruments TRK-01 in 2018, I saved a few presets to use in my own music. These sounds and patterns ended up becoming the foundation of Stoicism, my first solo EP that was released Aug 21 on Spatial Cues. I had a little bit of a writer’s block situation, so I tried to resolve it by working within very restrictive parameters. All five original tracks on Stoicism use TRK-01 as the only sound source, processed through a number of effect plug-ins. Limiting myself in this way created a nicely coherent sound palette. Since I only used TRK-01’s internal sequencers, I arranged the tracks via automation in Ableton Live, which switched up my routine in an inspiring way. In the end, this workflow not only resolved the writer’s block but led to my most comprehensive release so far.
The basic idea of TRK-01 is to do just that – it puts some focused modules dedicated to dance production in a single place. There’s a kick module, bass, sequencer, and effects – but it’s not preset territory, as each module has a number of different engines. That is, the clever twist here is removing cognitive overhead (by simplifying and integrating the interface), without limiting your creative choices (since there is still a full spectrum of very different sounds you can get out of each module).
Even with that being said, you still might not be certain how to turn this into a completed track. Now, each person will find a different pathway there, but seeing how Jan works – a bit like working with a studio mate – can often give you that “ah ha, I could actually learn from this” feeling.
Jan asked if he should do a full narrated look at his working method. Answer: aber ja.
By the way, of course this also means that by keeping this focused, adapting the release to a live gig is far easier. You’ll be able to catch main(void) live at Griessmuhle, alongside some very special DJ friends like DJ Pete, Alinka, and Qzen, plus some great names, in late October in Berlin.
Oh and yeah, go grab the music on Bandcamp! This is the them problem with promo pools, I see some huge names are playing these tracks out but they got the music for free.